Reliquary triptych of the Holy Cross

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Reliquary triptych of the Holy Cross. Mosan workshop, circa 1220-1230, wood soul, chiseled silver, repousse and gilded, mixed enamels, filigree, cabochons, niello, brown varnishes, dummy relic (plaster). abbey of Saint-Jean-Baptiste and Saint-Maur de Florennes. Musée d’Art et d’Histoire (Musée du Cinquantenaire, Brussels, Belgium). Made with ReMake and ReCap Pro from AutoDesk. Under the influence of the Crusades, the cult of the Cross will intensify in the Meuse region in the middle of the 12th century. The precious relics, brought back from the East, are then often preserved and presented to the faithful in triptychs: a type of reliquary with shutters of Byzantine origin. The holy relic was once kept in the double travserse cross, in the heart of the reliquary. For more updates, please consider to follow me Twitter at @GeoffreyMarchal.

About the author:
geoffrey.marchal
EN: Scientist passionate of computer graphic and science simulation and visualization. I started doing computer grqphic at 19, in 1993. Passing from POV-RAY to LightWave, Houdini, 3DStudio, 3DS Max, Blender. In 2014, I have started 3D scanning with first a Kinect from Microsoft and afterward moved to photogrammetry. Photogrammetry is more flexible and I use mainly 123D Catch and Memento beta, both from Autodesk. In 2015, I started 3D printing with a Solidoodle Press. FR: Scientifique travaillant dans une universite. Je suis passionne par les images de synthese depuis 1993 commencant avec POV-RAY, passant par LightWave et 3DSMax. Depuis 2009, je suis exclusivement sur Blender. En 2014, j' ai decouvert le scan 3D via la Kinect et tres vite j'ai change pour la photogrammetrie. La photogrammetrie permet de faire des scan 3D plus facilement avec un simple appareil photo. J' utilise principalement 123D Catch et Memento beta, les deux produit par Autodesk. En 2015, j'ai debute avec l'impression 3D avec une Solidoodle Press

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